Name, where are you from?
Chris Lane, London
What do you do?
I’m a reggae journalist, record producer, musician - and I co-own a record label, Fashion Records.
Describe your style in three words:
Music, music, music.
Which music defines the teenage you?
Reggae, Soul and Motown.
How were you introduced to reggae music?
I first heard Desmond Dekker and Johnny Nash on the radio when I was about 12, and around that time reggae became fashionable with white teenagers in London. I had a mate whose older brother bought loads of rocksteady and reggae records so I’d hear them round his house, and of course, reggae and soul was the soundtrack at the local youth clubs.
When did you start writing about it?
In 1973 I wrote to Blues & Soul magazine and told them they needed a reggae column - and they believed me!
And was it a natural transition into making music?
Yes, my first job when I left school was working in a record shop, and then I started Dub Vendor with John MacGillivray, who still runs it. When I was standing behind the counter, I’d be thinking “I should be making records, not just selling them!”
I’d already been to Jamaica and spent time in studios, so I was beginning to see how it all worked, and I used to pick records to pieces in my head, so I was sort of analysing what went into the tunes even then.
Who do you consider to be your heroes of the genre?
I’ve got so many heroes, and they’ve all played an important part in the history of ska and reggae... Coxsone Dodd, Lee Perry, Prince Buster, King Tubby, U Roy, Jackie Mittoo, Bob Marley, Bob Andy, Alton Ellis, Roland Alphonso, Tommy McCook, Lyn Tait, Augustus Pablo.
What was the first song you played on repeat?
Probably ‘The Vampire’ by The Upsetters. We didn’t have a record player in the house till my Mum and Dad bought a little Dansette around Christmas 1969, and this was one of the first records I bought with the Christmas box money from my paper round. I loved the intro, the weird drum roll (sounds like the tape’s been stretched) and of course the tune itself, a fantastic (and atmospheric) organ instrumental.
A track from a favourite album?
I’ve never seen reggae as an album music, it’s mostly about singles for me, but if pushed I’d have to go for 'Your Ace From Space' by U Roy from the Version Galore LP, or perhaps 'Created By The Father' from Dennis Brown’s No Man Is An Island set on Studio 1.
A song you wish you’d written?
Probably something by Bob Andy, probably ‘Life’ or ‘Let Them Say’ - there’s so many!
What is the last piece of music you bought?
Nothing too expensive or obscure... a couple of tunes I let go years ago and have now reclaimed (Errol Dunkley's cut of Movie Star and Psalms 9, the Tommy McCook instrumental to Blood & Fire )... and the Tubby Hayes documentary on DVD, if that counts?
Most meaningful lyrics to inspire change?
'Get Up and Fight For Your Right'
'Declaration of Rights' - Abysinnians
Best song to bring people together?
'Love The Way It Should Be' by the late Prince Lincoln and the Royal Rasses
What has been your all-time favourite gig?
The U Roy show at Croydon Top Rank in 1972. I’ve still got the poster!
Best love song of all time?
'Ooo Baby Baby' - Smokey Robinson and Pete Moore.
Is there a song you like that people wouldn’t expect?
'Alone Again Naturally' - Gilbert O'Sullivan
What new music/bands are you listening to?
To be honest, I don’t often listen to new music, I’ve got to the age where I’m more comfortable exploring more of the old stuff!