01Profile
A David Charro Photo
Communications Director — Barcelona
A David Charro Photo
David Charro / Mental D, Barcelona.
I’m the communications director for a company that organises electronic music festivals. I also DJ in my spare time.
Comfy, informal but sophisticated.
That’s not an easy question, but if I have to choose I would say one of my first concerts. The Chemical Brothers in 2007 in Madrid. I remember being fascinated by their performance, the crowd vibes and the sound running through my body. I even got goosebumps!
Frank Ocean - I truly admire his music. I haven’t seen him live yet as he doesn’t show up often on stage. It would be a great honour to have the chance!
Orbital, one of my favourite bands. They are responsible for some of the most groundbreaking tracks within the electronic scene and forerunners to the rave culture.
As a teenager, I was highly influenced by hip hop culture. I was deeply into it, I even produced a couple of basslines for friends. We wore oversized clothes, used BMX and painted graffiti. Later on, I developed an interest in electronic music and when I moved to Madrid I enjoyed the grunge-post/punk scene which was also related to electronic. My first years living there were a continuous mix of concerts and DJ gigs, which led me to my current career.
With the band Kraftwerk. In my opinion, they are the fathers of electronic music and inspired many of the well-known artists we enjoy nowadays. I am sure they have amazing histories to be heard!
From the years I spent living in Madrid, I would say Moroder Sound Club. We felt comfortable there, it was an easy place and we felt at home. It’s a small club and so the atmosphere and connection with the public were awesome. We spent great nights there!
Aphex Twin. Just because he is obsessed with sound perfection. He is a master of electronic music. He has made science from his music by beautifully mixing impossible sounds.
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'Gorillaz' by Gorillaz was one of the first records I bought and I remember listening to it on a loop.
'Intergalactic' by Beastie Boys. Kings of sampling, I loved the fusion between hip hop and electronic punk rock and especially its irreverent lyrics.
'Silent Shout' by The Knife. Never a record made me experience so many mixed feelings. Extenuation, darkness and need to dance. It shows an incredible domain of analogue instruments. Also due to the mystery that has always come with the band considering their low profile in the media.
"Everything's changing around me
And I wanna change too
It's one thing I know
It ain't cool being no fool"
From 'Now or Never' by The Roots.
'Parallel Lines' by Junior Boys.
'Como Te Voy A Olvidar' by Los Angeles Azules. I had always liked cumbia but it wasn’t until I discovered Los Angeles Azules on a trip to Mexico that I found one of the songs that makes me happier.
'La Leyenda Del Tiempo' by Camaron De La Isla. This one made me learn a lot about my father.
'Running (Disclosure Remix)' by Jessie Ware.
'200 press' by James Blake.
Soto Asa. He has released 2 albums in the last two years: 'Down Music' and 'La Cruz'. We can consider it reggaeton of the future.
Last year this Tanzanian producer released a fantastic album with Nyege Nyegue tapes, it clearly shows the potential of African music. Don’t miss it!
David Charro / Mental D, Barcelona.
I’m the communications director for a company that organises electronic music festivals. I also DJ in my spare time.
Comfy, informal but sophisticated.
That’s not an easy question, but if I have to choose I would say one of my first concerts. The Chemical Brothers in 2007 in Madrid. I remember being fascinated by their performance, the crowd vibes and the sound running through my body. I even got goosebumps!
Frank Ocean - I truly admire his music. I haven’t seen him live yet as he doesn’t show up often on stage. It would be a great honour to have the chance!
Orbital, one of my favourite bands. They are responsible for some of the most groundbreaking tracks within the electronic scene and forerunners to the rave culture.
As a teenager, I was highly influenced by hip hop culture. I was deeply into it, I even produced a couple of basslines for friends. We wore oversized clothes, used BMX and painted graffiti. Later on, I developed an interest in electronic music and when I moved to Madrid I enjoyed the grunge-post/punk scene which was also related to electronic. My first years living there were a continuous mix of concerts and DJ gigs, which led me to my current career.
With the band Kraftwerk. In my opinion, they are the fathers of electronic music and inspired many of the well-known artists we enjoy nowadays. I am sure they have amazing histories to be heard!
From the years I spent living in Madrid, I would say Moroder Sound Club. We felt comfortable there, it was an easy place and we felt at home. It’s a small club and so the atmosphere and connection with the public were awesome. We spent great nights there!
Aphex Twin. Just because he is obsessed with sound perfection. He is a master of electronic music. He has made science from his music by beautifully mixing impossible sounds.
-
'Gorillaz' by Gorillaz was one of the first records I bought and I remember listening to it on a loop.
'Intergalactic' by Beastie Boys. Kings of sampling, I loved the fusion between hip hop and electronic punk rock and especially its irreverent lyrics.
'Silent Shout' by The Knife. Never a record made me experience so many mixed feelings. Extenuation, darkness and need to dance. It shows an incredible domain of analogue instruments. Also due to the mystery that has always come with the band considering their low profile in the media.
"Everything's changing around me
And I wanna change too
It's one thing I know
It ain't cool being no fool"
From 'Now or Never' by The Roots.
'Parallel Lines' by Junior Boys.
'Como Te Voy A Olvidar' by Los Angeles Azules. I had always liked cumbia but it wasn’t until I discovered Los Angeles Azules on a trip to Mexico that I found one of the songs that makes me happier.
'La Leyenda Del Tiempo' by Camaron De La Isla. This one made me learn a lot about my father.
'Running (Disclosure Remix)' by Jessie Ware.
'200 press' by James Blake.
Soto Asa. He has released 2 albums in the last two years: 'Down Music' and 'La Cruz'. We can consider it reggaeton of the future.
Last year this Tanzanian producer released a fantastic album with Nyege Nyegue tapes, it clearly shows the potential of African music. Don’t miss it!